Franke: Musik für Violin, Cello and Klavier
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- Composer: Bernd Franke (1959-)
- Format: Set of Parts
- Instrumentation: Piano Trio (Piano, Violin, Cello)
- Work: Musik für Violin, Cello and Klavier
- ISMN:
Description
In the summer of 1989, I spent two months as a Bernstein Fellow at Tanglewood in the USA.
Tanglewood. in addition to working with Lukas Foss, Leonard Bernstein, Oliver Knussen and Louis Krasner. I also regularly attended conducting courses there given by Kurt Sanderling, Gustav Meier, Roger Norrington and Jeffrey Tate. During this time, I received special human and material support from Kurt Sanderling and his wife, among others. Sanderling and his wife. It was also his wife who made direct contact with one of her sons, the cellist sons, the cellist Michael, who had already performed the world premiere of my Chagall première of my Chagall music for orchestra with the Gewandhaus Orchestra in 1988. for Michael Sanderling and his trio colleagues Antje Weithaas and Gerald Fauth, I wrote my composition three years later my composition ‘Music for violin, cello and piano (Hope as a Breath...)' commissioned by the Schleswig-Holstein Music Festival. The subtitle is not a quotation, not a programme, not a reference to a lyrical background, solely an expressed thought about feelings and a personal mood when composing feelings and a personal mood while composing at this time in spring 1992. Musically, I am already very close to the organic composing of the mid and late 90s. the mid and late 90s, have more Asian intentions than European ones, think more of Isang Yun and Takemitsu Isang Yun and Takemitsu rather than Bartók or Webern (although both European composers were European composers were very important to me for a while). Two polarities stand in opposition to each other: unison playing of the strings with recurring recurring proliferating cells and phrases and restless, nervous patterns in the piano, also growing and proliferating. Both elements are opposed to each other at the beginning, then combined, exchanged, transformed. in principle, the whole piece is built up from these germ cells, motifs, sounds, blocks are formed and structured.
Bernd Franke
Publishers use a lot of words to describe what they sell, and we know it can be confusing. We've tried to be as clear as possible to make sure you get exactly what you are looking for. Below are descriptions of the terms that we use to describe the various formats that music often comes in.
Choral Score
A score for vocalists that only contains the vocal lines. The instrumental parts are not there for reference. Generally, cheaper than a vocal score and requires multiple copies for purchase.
Facsimile
Reproductions of the original hand-written scores from the composer.
Full Score
For ensemble music, this indicates that the edition contains all parts on a single system (there are not separate parts for each player). In larger ensembles, this is for the conductor.
Hardcover
Hardbound. Generally either linen-covered or half-leather.
Orchestral Parts
Similar to a wind set, this is a collection of parts. In the case of strings, the numbers listed are the number of copies included, though generally these are available individually (often with minimum quantities required).
Paperback
When publishers offer multiple bindings (e.g. hardcover) or study scores, this is the "standard" version. If you're planning to play the music, this is probably what you want.
Performance / Playing Score
A score of the music containing all parts on one system, intended for players to share. There are not separate parts for each player.
Set of Parts
For ensemble music, this indicates that there are separate individual parts for each player.
Solo Part with Piano Reduction
For solo pieces with orchestra, this is a version that contains a piano reduction of the orchestra parts. For piano pieces, two copies are typically needed for performance.
Study Score
A small (think choral size) copy of the complete score meant for studying, and not playing. They make great add-ons when learning concertos and small chamber works.
Vocal Score
A score prepared for vocalists that includes the piano/organ part or a reduction of the instrumental parts.
Wind Set
For orchestral music, this is a collection of wind and percussion parts. The specific quantities of each instrument are notated.
With Audio
In addition to the printed music, the edition contains recordings of the pieces. This may be an included CD, or access to files on the internet.
With / Without Fingering (Markings)
Some publishers prepare two copies - a pure Urtext edition that includes no fingering (or bowing) suggestions and a lightly edited version that includes a minimal number of editorial markings.
Franke: Musik für Violin, Cello and Klavier
